Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

Franz Marc

(German, 1880–1916)

Schöpfungsgeschichte I (Genesis) [Creation Story]

View All Works

Object Details

Artist

Franz Marc

Date

1914

Medium

Woodcut

Dimensions

9 1/2 x 7 3/4 inches (24.1 x 19.7 cm)

Credit Line

Acquired through the Membership Purchase Fund

Object
Number

71.031

In his early work, Marc’s animals serve as redemption to man’s excessive follies, but as the wor(…)

In his early work, Marc’s animals serve as redemption to man’s excessive follies, but as the world became bleaker and war inevitable, his connection to the animal world became darker and the animals themselves harbingers of death and destruction. Here they have become brooding and malevolent and presage a world of chaos. The use of woodcut, with its stark blocky areas printed in pure unadulterated black ink, accentuate this depiction of despair.Marc was influenced by his close studies of woodcut illustrations in early printed bibles, and he planned to include this print in an illustrated bible he was organizing for Der Blaue Reiter, the Munich-based artist group he cofounded. The outbreak of World War I, in which Marc would lose his life at the Battle of the Verdun, ended his plans for the project. (“Imprint/ In Print,” curated by Nancy E. Green with assistance from Christian Waibel ’17 and presented at the Johnson Museum August 8 – December 20, 2015)

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition