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The Johnson Museum holds more than 40,000 works in its collection from around the world.

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About arrow_back

Admission for everyone is always free! Check here for current hours and more.

Visit The Museum Staff Publications Special Event Rental

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

Search All Africa Asia and Pacific Australia, New Guinea, and New Zealand Europe North America South America New to the Collection

Museum gallery with art from China

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

On View Upcoming Past

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

Upcoming Past

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

Students Faculty and Instructors Kids Teachers Initiatives

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

Membership Annual Fund Support Our Campaign Donating Artwork Planned Giving Museum Advisory Council

A tall tree is the focal point of a garden in between two concrete buildings

Community Exhibition Creator

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Pace Editions, New York City, Archives of American Art, Smithsonian Institution

For the Archives

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Object Details

Artist

Pace Editions, New York City, Archives of American Art, Smithsonian Institution

Date

2008

Medium

Epson inkjet print on Sunset Cotton Etching paper Edition 21/175

Dimensions

Sheet: 8 1/2 × 11 inches (21.6 × 27.9 cm)

Credit Line

Gift of Jay E. Cantor, Class of 1964, in honor of Nancy E. Green

Object
Number

2020.033.015

Discover More

Les Quatre Heures de Jour

Gilles Demarteau

Que se rompe la cuerda (May the rope break), Plate 77 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Hudson River, Crow’s Nest

Nathaniel Currier, James Merritt Ives

The Harrowing of Hell, plate 15 of 16 from the Engraved Passion (Copperplate Passion)

Albrecht Dürer

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