Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

André Kertész

(American, born Hungary, 1894–1985)

Fisherman on the Seine, Paris

View All Works

Object Details

Artist

André Kertész

Date

1926

Medium

Gelatin silver print on carte-postale

Dimensions

Image / sheet (including border): 3 1/2 × 2 3/4 inches (8.9 × 7 cm)

Credit Line

Gift of Diann G. Mann, Class of 1966, and Thomas A. Mann, Class of 1964

Object
Number

2018.095.017

Kertész left Budapest for Paris in 1925. Although he lived in the French capital for over ten years(…)

Kertész left Budapest for Paris in 1925. Although he lived in the French capital for over ten years, he never mastered its language and stayed close to fellow Hungarian immigrants there, many of them painters, intellectuals, and photographers like him. Yet Kertész’s photographs of Paris—a close study of its traditions, places, and inhabitants—reveal an intimate experience of the city, and an intense sensitivity to its poetry and mystery. The small scale at which he sometimes worked during this period, contact printing on postcard stock in his rented room, heightens the enigmatic nature of the images. (“Celebrating Reunion at the Johnson,” text by Kate Addleman-Frankel and presented at the Johnson Museum May 25-July 28, 2019)

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition