Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

Fidelia Bridges

(American, 1835–1923)

Mullein and Goldfinches

View All Works

Object Details

Artist

Fidelia Bridges

Medium

Watercolor

Dimensions

16 1/8 × 9 7/16 inches (41 × 24 cm)

Credit Line

Gift from the complete collection of Gertrude Goldman Tucker, Class of 1930, and David J. Tucker

Object
Number

2011.048.006

Bridges was one of a handful of success nineteenth-century women artists. Born to a sea captain, she(…)

Bridges was one of a handful of success nineteenth-century women artists. Born to a sea captain, she was surrounded from an early age by exotic objects brought back from her father’s travels to the Far East. Working primarily in watercolor, her aesthetic draws from this early contact with Chinese wares, and is combined with an attention to the minutest of details, something she had learned from her early connection with William Trost Richards and his adherence to Ruskinian principles. She exhibited several nature studies at the Centennial Exhibition in Philadelphia. (“JapanAmerica: Points of Contact, 1876–1970,” curated by Nancy E. Green and presented at the Johnson Museum August 27–December 18, 2016)

Discover More

Man, woman, child

Jasmin Joseph

Untitled

Norman Bluhm

Mogador

Edwin Lord Weeks

Nasturtiums in a Vase

Ellen Robbins

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition