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Museum gallery with art from China

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Museum gallery with art from China

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A tall tree is the focal point of a garden in between two concrete buildings

Meghan Boody

(American, born 1964)

Night is generally my time for walking

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Object Details

Artist

Meghan Boody

Date

2006

Medium

Fujiflex print mounted to aluminum

Dimensions

30 × 40 inches (76.2 × 101.6 cm)

Credit Line

Acquired through the Professor M. H. Abrams and Ruth Abrams Purchase Fund

Object
Number

2009.023

Meghan Boody has been using digital imaging technologies in her work since the mid-1990s. She was on(…)

Meghan Boody has been using digital imaging technologies in her work since the mid-1990s. She was one of the first photographers to successfully employ Photoshop in her photographic tableaux, interweaving many layers of source images that she either shoots on location or in the studio. The Lighthouse and How She Got There project (2006–08) tells the story of an inmate of a nineteenth-century asylum who escapes when the building burns down. Inspired by Victorian novels that feature orphans as their protagonists, the title of this photographic fantasy is derived from the first line of Charles Dickens’ The Old Curiosity Shop (1841), and like it and other nineteenth-century novels, Boody tells stories of girls on the verge of becoming women. (“Staged, Performed, Manipulated,” curated by Andrea Inselmann and presented at the Johnson Museum January 24-June 7, 2015)

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