Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

Enrique Chagoya

(Mexican, born 1953)

Estragos de la guerra, from the portfolio Homage to Goya II: Disasters of War

View All Works

Object Details

Artist

Enrique Chagoya

Date

1983-2001 (published 2003)

Medium

Etching with rubber stampingPrinter’s proof

Dimensions

Sheet: 13 × 15 inches (33 × 38.1 cm)

Credit Line

Gift of the Estate of Paul Ehrenfest, Class of 1932, by exchange

Object
Number

2006.005.002

A museum experience changed the course of Enrique Chagoya’s work, and perhaps his life. In 1983, h(…)

A museum experience changed the course of Enrique Chagoya’s work, and perhaps his life. In 1983, he enrolled in a history of printmaking course at the Legion of Honor in San Francisco. It was from this encounter with the collection that prompted his first work responding to Francisco Goya. Chagoya acknowledged, “I wish I could be as impartial as Goya. But sometimes I aim at elusiveness of meaning as a way to create multiple narratives that lead to no specific point.” The relationship between mentor and student and tradition and invention is important to discuss at museums as well as college campuses. Chagoya explained, “The main change happens within one’s cultural richness when becoming exposed to different cultures…. Sometimes our differences are seen as aspects of our richness; other times our differences are used against us.” (“This is no Less Curious: Journeys through the Collection” cocurated by Sonja Gandert, Alexandra Palmer, and Alana Ryder and presented at the Johnson Museum January 24 – April 12, 2015)

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition