Stirrup-spout water carrier effigy vessel

BRIEF DESCRIPTIONAn effigy vessel is a container that is made in the shape of a person or an animal. Moche potters made highly realistic effigy vessels; this early example is in the form of a man carrying a water jar.WHERE WAS IT MADE?This stirrup-spout vessel was made in what is now Peru.HOW WAS IT MADE?The Moche made many of their ceramics using two-part press molds, a technique that enabled potters to make multiple pots of uniform design. First an original form was made from clay. After creating the mold (also ceramic) from this original, clay would be pressed into each half, and then later joined together. Sometimes hand modeling or coiling would also be utilized, and more than one technique could be used to produce a single pot.HOW WAS IT USED?Bottles of this stirrup-spout type may have been used to carry and serve liquids, since the narrow-necked bottle shape would have reduced losses from accidental spills and evaporation. Although water is vital in desert environments such as those found in many parts of the Andes, recent analyses of residues from Peruvian bottles and jars suggest that most of them were used to serve corn (maize) beer or chicha. Chicha was both an everyday beverage, made in households for family consumption, and an essential element in ritual and social interactions.WHY DOES IT LOOK LIKE THIS?This vessel is in the shape of a seated water carrier. Notice the texture of the figure’s curvilinear split hairstyle or headdress, shirt, loincloth and bracelets. Other incised lines delineate his eyebrows and nails. He is also wearing ear spools.Moche stirrup-spout bottles represent a wide variety of sculptural forms, including human portraits, animal effigies, domestic scenes, or graphic human sexuality. From burials, we know that the variety of head shapes, jewelry, and clothing styles reflect the actual appearance of these prehistoric people. Arguably one of the finest technological manifestations of the pre-Columbian potter’s art, Moche ceramics have charmed generations of archaeologists and collectors with their finely executed painting and exquisite sculptural forms. Moche (formerly known as Mochica) pottery is characterized by red painting executed on a white or cream-colored slip ground. To see an example of a more typical Moche vessel with red and white slip in the Johnson Museum’s collection, search for object number 2006.070.394 in the keyword search box.ABOUT THE MOCHE CULTURE:The core area of Moche cultural influence extended from Lambayeque in the north to Nepeña in the south, and likely reflects militaristic conquest and political control by a state-level polity centered in the Moche Valley. The Moche united many coastal groups, built and controlled extensive irrigation networks, and produced ceramic vessels using molds, a technological innovation which enabled the production of vast numbers of highly detailed ceramics, including portrait head vessels so finely detailed that individual faces can be recognized. Fineline paintings depict detailed, elaborate scenes now thought to be part of the “warrior sacrifice” or “presentation theme” story central to the Moche religion. Moche metalwork also achieved remarkable levels of sophistication, with precious stones inlaid in ornaments made of copper, silver, and gold alloys.