Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

Kiki Smith

(American, born 1954 in Germany)

Pool of Tears 2

View All Works

Object Details

Artist

Kiki Smith

Date

2000

Medium

Etching, aquatint, drypoint, and sanding with watercolor

Dimensions

Image: 21 3/4 × 47 1/2 inches (55.2 × 120.7 cm)
Sheet: 51 × 75 inches (129.5 × 190.5 cm)
Frame: 55 1/4 × 78 3/4 × 2 7/16 inches (140.3 × 200 × 6.2 cm)

Credit Line

Acquired through the Professor M. H. Abrams and Ruth Abrams Purchase Fund, the Cronkhite Art Purchase Endowment, the Herbert F. Johnson, Class of 1922, Endowment, and the David M. Solinger, Class of 1926, Endowment

Object
Number

2004.042

In this intentionally crude scene, a girl trying to stay afloat is followed by a pack of birds as th(…)

In this intentionally crude scene, a girl trying to stay afloat is followed by a pack of birds as the water rises. This surreal image is taken directly from illustrations of Alice’s Adventures in Wonderland. Removed from Lewis Carroll’s original context, Smith’s image takes on an element of danger: the girl appears to be chased by the animals rather than racing with them. Smith’s unique working process, in which she walks around and on top of the plate, creates random, jagged marks that are not removed in the final image. These marks carry connotations of violence, like claw or slash marks. Applying a feminist lens to our interpretation of the image shows us a girl about to be consumed by incredible violence as she is thrust into womanhood in a patriarchal society. (“Imprint/ In Print,” curated by Nancy E. Green with assistance from Christian Waibel ’17 and presented at the Johnson Museum August 8 – December 20, 2015)

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition