Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

Pu Xinyu, Pu Ru

(Chinese, 1896–1963)

A Palindromic Poem

View All Works

Object Details

Artist

Pu Xinyu, Pu Ru

Date

1959

Medium

Hanging scroll: ink on paper

Dimensions

42 13/16 × 13 3/8 inches (108.7 × 34 cm)

Credit Line

Gift of Sheila Dai and Michael Messitt

Object
Number

2002.036

The calligraphy in running script shown here was written by Pu Ru in 1959, based on a poem composed (…)

The calligraphy in running script shown here was written by Pu Ru in 1959, based on a poem composed during his short visit to Japan in 1956. In the poem Pu Ru expresses his sorrow for a long life of suffering during the chaotic and turbulent years of estrangement, first from the imperial household and then from mainland China. The poem is a classical qiyan lüshi (eight-line poem with seven characters to each line) formatted in a palindromic style, which demonstrated Pu’s excellent educational background in classical Chinese art and literature. (“Debating Art: Chinese Intellectuals at the Crossroads,” curated by Yuhua Ding, with assistance by Elizabeth Emrich, and presented at the Johnson Museum February 2-July 8, 2018)