Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

Pu Xinyu, Pu Ru

(Chinese, 1896–1963)

A Palindromic Poem

View All Works

Object Details

Artist

Pu Xinyu, Pu Ru

Date

1959

Medium

Hanging scroll: ink on paper

Dimensions

42 13/16 × 13 3/8 inches (108.7 × 34 cm)

Credit Line

Gift of Sheila Dai and Michael Messitt

Object
Number

2002.036

The calligraphy in running script shown here was written by Pu Ru in 1959, based on a poem composed (…)

The calligraphy in running script shown here was written by Pu Ru in 1959, based on a poem composed during his short visit to Japan in 1956. In the poem Pu Ru expresses his sorrow for a long life of suffering during the chaotic and turbulent years of estrangement, first from the imperial household and then from mainland China. The poem is a classical qiyan lüshi (eight-line poem with seven characters to each line) formatted in a palindromic style, which demonstrated Pu’s excellent educational background in classical Chinese art and literature. (“Debating Art: Chinese Intellectuals at the Crossroads,” curated by Yuhua Ding, with assistance by Elizabeth Emrich, and presented at the Johnson Museum February 2-July 8, 2018)

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition