Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

Turkish; Ottoman

Calligraphic exercise

View All Works

Object Details

Culture

Turkish; Ottoman

Date

17th century

Medium

Manuscript leaf: colors and gold on paper

Dimensions

Image: 6 7/8 x 9 5/8 inches (17.5 x 24.5 cm)
Sheet: 11 x 14 inches (27.9 x 35.6 cm)

Credit Line

Transfer from the dept. of Rare Books, Cornell Libraries

Object
Number

74.049.001

Comprised of a series of letters that do not form words, this single page provided a forum for displ(…)

Comprised of a series of letters that do not form words, this single page provided a forum for displaying the technique of proportioned writing. It may have functioned to advertise the skills of a studio of artisans: a calligrapher, a painter and a gold-leaf illuminator. Ottoman aesthetics differed from those of other parts of the Islamic world in a rejection of densely packed motifs and patterns. Artists instead emphasized balance between motifs and empty space, achieved by keeping decoration under control.

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition