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Käthe Kollwitz

(German, 1867–1945)

Gedenkblatt für Karl Liebknecht (Memorial sheet to Karl Liebknecht)

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Object Details

Artist

Käthe Kollwitz

Date

1919–20

Medium

Woodcut

Dimensions

4 3/4 x 7 inches (12.1 x 17.8 cm)

Credit Line

Gift of Edward D. Klein, Class of 1972, MBA 1973, and Muriel Klein, Class of 1972

Object
Number

56.095

From the end of the First World War to the founding of the Weimar Republic in August 1919, Germany w(…)

From the end of the First World War to the founding of the Weimar Republic in August 1919, Germany went through a period of social and political upheaval. During this time, Germany was led by a coalition of left-wing forces with Marxist sympathies, the largest of which was the Social Democratic Party of Germany (SPD). Other, more radical groups were grappling for control of Germany at the same time, including the newly founded German Communist Party (KPD).

The Socialists and Communists both wanted to eliminate Capitalism and establish communal control over the means of production, but while the Socialists believed that the best way to achieve that goal was to work step by step from within the Capitalist structure, the Communists called for an immediate and total social revolution that would put governmental power in the hands of the workers. In this spirit, the KPD staged an uprising in Berlin in January 1919. Military units called in by the SPD suppressed the uprising and captured two of the leaders, Karl Liebknecht and Rosa Luxemburg. Liebknecht and Luxemburg were murdered while in custody on January 15, 1919. Their deaths struck a chord across the left-wing landscape and they were widely celebrated as martyrs to the Communist cause.Kollwitz was not a Communist, and even acknowledged that the SPD (generally more cautious and pacifist than the KPD), would have been better leaders. But she had heard Liebknecht speak and admired his charisma, so when the family asked her to create a work to memorialize him she agreed.

(“‘The War to End All Wars’: Artists and World War I,” curated by Nancy E. Green and presented at the Johnson Museum, January 21-June 11, 2017)

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