Teapot and burner

WHERE WAS IT MADE?This teapot was made by Hukin & Heath around 1878. Hukin & Heath was a firm of silversmiths established in 1875 that was popular for its Japanese-style silver and glassware. They were based in Birmingham, England.WHO WAS THE ARTIST?Christopher Dresser was born in Glasgow, Scotland in 1834. He attended the Glasgow School of Design and studied both design and botany. He went on to receive a doctorate in botany from the University of Jena. In 1860, Dresser set up his own studio and began producing designs inspired by his study of botany and his interest in the cultures of the Far East. He would later travel to Japan as a representative of the British Government, studying and gathering objects for his own inspiration and for the collection of designers like Louis Comfort Tiffany and for the South Kensington Museum. Dresser helped create a new design style that utilized modern materials and technology. He enjoyed enormous success, designing objects produced by such notable manufacturers as Wedgwood and Minton. In 1881 he opened a store known as The Art Furnishers’ Alliance that offered furniture, ceramics, glass, metalwork, and other fancy goods, but the venture proved unsuccessful, lasting only three years. He died in Mulhouse, France in 1904 while visiting a client.HOW WAS IT MADE?This teapot is made from silver plated metal. Silver plate or plating is a process involving an electrical current used to deposit a thin layer of silver onto an article or vessel made of a base metal like copper or nickel silver. The process was developed in the 1830s and was patented by Elkington & Co. around 1836. It made silver objects more affordable for many middle-class families.HOW WAS IT USED?This small domed teapot rests upon a tripod stand. A burner, which served as a heat source to keep the tea warm, could be placed in the central hole in the stand. According to the inscription, this teapot was given as a wedding present.WHY DOES IT LOOK LIKE THIS?Christopher Dresser designed many items with industrial manufacturing in mind. They were meant to be simple, well-made and affordable for many people, with the form of the piece developing from its function. Many of his designs, like this one, were sleek and geometrical, with minimal ornamentation.To see other objects by Christopher Dresser in the Johnson Museum’s collection, search for object numbers 99.078.102, 99.078.103 a,b, 99.078.104, 99.078.105, 99.078.106 a,b, and 99.078.130 in the keyword search box.