Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

Ernest Stephen Lumsden

(British, 1883–1948)

Benares #2

View All Works

Object Details

Artist

Ernest Stephen Lumsden

Date

1912

Medium

Etching

Dimensions

7 13/16 x 9 7/8 inches (19.8 x 25.1 cm)

Credit Line

Bequest of William P. Chapman, Jr., Class of 1895

Object
Number

56.296

In this spartan view of Benares (now known as Varanasi, or Kashi), the left register is marked by sa(…)

In this spartan view of Benares (now known as Varanasi, or Kashi), the left register is marked by sand and the poles fixed into it, with anchored boats on the sacred Ganga, while the right is densely structured at different levels extending into the distance. The river and ghat which is usually thronged with Hindu devotees immersed in a purifying ritual, is empty. Here, the Dharhara mosque built by the controversial Mughal Emperor Aurangzeb in the seventeenth century is rendered in sharp relief with its minarets extending prominently to the top. The peaceful, romanticized view here belies what would normally be a landscape teeming with human activity.

The Dharhara mosque was built over the Hindu temple Bindu Madhav, just as Aurangzeb also erected the Gyanvapi Idgah (Well of Knowledge Mosque) over an important Vishweshwar/Shiva temple. Thus, the built environment of the medieval-era city reflects the political designs of different Mughal rulers.

Recent controversies generated by the right-wing ruling party have attempted to rewrite history by reclaiming these former Hindu sites, and Varanasi has become a contentious political constituency during elections. The architectural contours which are significant to different Hindu, Jain, and Muslim sects continue to be decided by political agendas, creating grave religious tension and strife, and placing the Muslim residents at great peril for past acts.

—Ayesha Matthan, PhD candidate

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition