Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

Bert Stern

(American, 1929–2013)

Untitled, from the portfolio Marilyn Monroe: The Last Sitting

View All Works

Object Details

Artist

Bert Stern

Date

2000

Medium

Color photograph Edition 26/50

Dimensions

Sheet: 30 × 30 inches (76.2 × 76.2 cm)

Credit Line

Gift of Steve Rothberg

Object
Number

2004.089.003

This image, taken six weeks before Monroe’s death on August 5, 1962, provide a poignant depiction.(…)

This image, taken six weeks before Monroe’s death on August 5, 1962, provide a poignant depiction. Stern was a prolific commercial photographer and employed a similar aesthetic for these photographs, originally intended for Vogue. They strip away the “advertisement” of Monroe in order to present her more honestly than her characteristically glamorous image—so much so that some images were rejected by the subject herself, who crossed out frames on the contact sheets with her lipstick. Stern’s iconic Last Sitting regained notoriety in 2008 when the photographer re-created the series with actress Lindsay Lohan. New York magazine published the images, pointing to the cyclical nature of celebrity and the rebirth of icons with each generation. (“15 Minutes: Exposing Dimensions of Fame,” curated by undergraduate members of Cornell’s History of Art Major’s Society and presented at the Johnson Museum April 16 – July 24, 2016)

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition