Search

A concrete cantilevered building against blue sky and green landscaping

Museum gallery with art from China

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

Museum gallery with art from China

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

Ansei Uchima

(American, 1921–2000)

Autumn Insects

View All Works

Object Details

Artist

Ansei Uchima

Date

1962

Medium

Color woodblock print Edition 89/150

Dimensions

Image: 13 13/16 x 6 5/16 inches (35.1 x 16 cm)
Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm)

Credit Line

Gift of David Klasfeld and Hila Richardson

Object
Number

82.117.039

In this work, Ansei Uchima presents his own interpretation of a traditional Japanese seasonal image (…)

In this work, Ansei Uchima presents his own interpretation of a traditional Japanese seasonal image of autumn grasses against the moon. Just as insects are not visible at night, they are not visually represented here, but the title suggests that the viewer is meant to imagine their nocturnal sounds. Born in California, Uchima went to Japan to study at Waseda University, but because he was there at the outbreak of World War II he was unable to return to the US. In Japan he studied painting and in 1957 began to experiment with printmaking. He became involved in the sosaku hanga (creative print) movement that encouraged artists to carve, ink, and print their own blocks, which was a radical departure from traditional ukiyo-e printmaking in which the artist designed pictures for a printing house to produce. Sosaku hanga artists also incorporated a Western modernist aesthetic in their works. Uchima’s earliest prints focused on the natural world. Later, after returning to the US, his work evolved to become nonrepresentational, in response to abstract expressionism. He taught printmaking at Sarah Lawrence College and Columbia University. (“Moon,” curated by Ellen Avril and presented at the Johnson Museum August 25, 2018-January 13, 2019)

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition