Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

Zhang Qia

(Chinese, 1718–1799)

Landscape in the Style of Mi Fu

View All Works

Object Details

Artist

Zhang Qia

Date

1776

Medium

Fan painting: ink on paper

Dimensions

6 1/2 x 19 1/2 inches (16.5 x 49.5 cm)

Credit Line

Acquired through the Membership Purchase Fund

Object
Number

81.081.002

Mi Fu, a scholar, poet, calligrapher, and painter in the Northern Song dynasty (960–1127) was a do(…)

Mi Fu, a scholar, poet, calligrapher, and painter in the Northern Song dynasty (960–1127) was a dominant figure in Chinese art, known for his use of “splashed ink,” a technique of moist washes and horizontal texture strokes used to create a vivid impression of rainy and cloud-clad Chinese landscapes. The style of Mi Fu attracted enthusiastic contemporary attention and remained a compelling influence throughout the history of Chinese painting.Zhang Qia was a descendant of Zhang Zongcang (1686–1756), an imperial court artist whose style resonated with the inheritors of the Orthodox tradition established by the Four Wangs. Following the orthodox approach, the painter here demonstrates his deep understanding of a past master’s style. (“Tradition, Transmission, and Transformation in East Asian Art,” curated by Cornell PhD student Yuhua Ding under the supervision of Ellen Avril and presented at the Johnson Museum January 23-June 12, 2016)

Discover More

La Famille Obin

Sully Obin

Mullein and Goldfinches

Fidelia Bridges

A Japanese Fancy

Winckworth Allan Gay

Man, woman, child

Jasmin Joseph

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition