Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

Jacopo Palma, called Palma il Giovane

(Italian, ca. 1548–1628)

St. Christopher, and studies for the Assumption of St. Catherine and the Baptism of St. Catherine

View All Works

Object Details

Artist

Jacopo Palma, called Palma il Giovane

Date

ca. 1613

Medium

Double-sided drawing: brown ink and wash on paper

Dimensions

Image: 13 7/8 x 8 5/8 inches (35.3 x 21.9 cm)

Credit Line

Acquired through the Herbert F. Johnson, Class of 1922, Endowment

Object
Number

81.070.001

According to legend, Christopher offered service by carrying people across a swiftly flowing stream.(…)

According to legend, Christopher offered service by carrying people across a swiftly flowing stream. One day, he was carrying a child who seemed to increase in weight until Christopher felt he was carrying the weight of the world. The child identified himself as Jesus.

Here, Palma depicts Christopher’s effort through a bending of the saint’s back and a twist of his torso that combine the grace of the Venetian style with lessons learned from Michelangelo’s powerful Sistine Chapel frescoes during his time in Rome. Related surviving drawings indicate that St. Christopher’s pose was derived from study of a nude male model.

(“Undressed: The Nude in Context, 1500-1750,” text by Andrew C. Weislogel and presented at the Johnson Museum February 9-June 16, 2019)

Discover More

The Inevitable

Ibrahim Mohammed El-Salahi

Head of a Canadian

Percy Wyndham Lewis

a3 #16 w.o.i.m.s.

Rozeal (formerly known as Iona Rozeal Brown)

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition