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Admission for everyone is always free! Check here for current hours and more.

Visit The Museum Staff Publications Special Event Rental

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

Search All Africa Asia and Pacific Australia, New Guinea, and New Zealand Europe North America South America New to the Collection

Museum gallery with art from China

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

On View Upcoming Past

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

Upcoming Past

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

Students Faculty and Instructors Kids Teachers Initiatives

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

Membership Annual Fund Support Our Campaign Donating Artwork Planned Giving Museum Advisory Council

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Que se rompe la cuerda (May the rope break), Plate 77 of

Que se rompe la cuerda (May the rope break), Plate 77 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Lo mismo en otras partes (The same thing elsewhere), Plate 23 of

Lo mismo en otras partes (The same thing elsewhere), Plate 23 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

El sueño de la razon produce monstruos (The sleep of reason produces monsters), plate 43 of

El sueño de la razon produce monstruos (The sleep of reason produces monsters), plate 43 of “Los Caprichos”

Francisco José de Goya

Estan Calientes (It's hot), plate 13 of

Estan Calientes (It’s hot), plate 13 of “Los Caprichos”

Francisco José de Goya

Asta su Abuelo (As far back as grandfather), plate 39 of

Asta su Abuelo (As far back as grandfather), plate 39 of “Los Caprichos”

Francisco José de Goya

Ensayos (Experiments), plate 60 of

Ensayos (Experiments), plate 60 of “Los Caprichos”

Francisco José de Goya

Quien lo creyera! (Who could believe it!), plate 62 of

Quien lo creyera! (Who could believe it!), plate 62 of “Los Caprichos”

Francisco José de Goya

Lo mismo (The same thing), Plate 3 of

Lo mismo (The same thing), Plate 3 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Ya no hay tiempo, Plate 19 of

Ya no hay tiempo, Plate 19 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Esto es malo (This is bad), Plate 46 of

Esto es malo (This is bad), Plate 46 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Las camas de la muerte (The deathbeds), Plate 62 of

Las camas de la muerte (The deathbeds), Plate 62 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Carretadas al cementerio (Cartloads for the Cemetery), Plate 64 of

Carretadas al cementerio (Cartloads for the Cemetery), Plate 64 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Se defiende bien (He defends himself well), Plate 78 of

Se defiende bien (He defends himself well), Plate 78 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Bobalicon (Big Booby)

Bobalicon (Big Booby)

Francisco José de Goya

Disparate Pobre (Poor folly)

Disparate Pobre (Poor folly)

Francisco José de Goya

Modo de Volar (Way of flying)

Modo de Volar (Way of flying)

Francisco José de Goya

Disparate puntual: Una reina del circo (Precise Folly: A Circus Queen)

Disparate puntual: Una reina del circo (Precise Folly: A Circus Queen)

Francisco José de Goya

Si quebró el cantáro (If he broke the pitcher), plate 25 of

Si quebró el cantáro (If he broke the pitcher), plate 25 of “Los Caprichos”

Francisco José de Goya

El de la Rollona, plate 4 of

El de la Rollona, plate 4 of “Los Caprichos”

Francisco José de Goya

Nadie se conoce (Nobody knows anybody), plate 6 of

Nadie se conoce (Nobody knows anybody), plate 6 of “Los Caprichos”

Francisco José de Goya

Bellos consejos (Good advice), plate 15 of

Bellos consejos (Good advice), plate 15 of “Los Caprichos”

Francisco José de Goya

Pobrecitas! (Poor little things!), plate 22 of

Pobrecitas! (Poor little things!), plate 22 of “Los Caprichos”

Francisco José de Goya

Que pico de Oro! (What a golden beak!), plate 53 of

Que pico de Oro! (What a golden beak!), plate 53 of “Los Caprichos”

Francisco José de Goya

Aguarda que te unten (Wait to be Anointed), plate 67 of

Aguarda que te unten (Wait to be Anointed), plate 67 of “Los Caprichos”

Francisco José de Goya

Despacha, que dispiertan (Hurry, they are waking up), plate 78 of

Despacha, que dispiertan (Hurry, they are waking up), plate 78 of “Los Caprichos”

Francisco José de Goya

Estragos de la guerra (Ravages of war), Plate 30 of

Estragos de la guerra (Ravages of war), Plate 30 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

To lo vi (I saw it), Plate 44 of

To lo vi (I saw it), Plate 44 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

No hay quien los socorra (There is no one to help them), Plate 60 of

No hay quien los socorra (There is no one to help them), Plate 60 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Nada. Ello dirá (Nothing. We Shall See), Plate 69 of

Nada. Ello dirá (Nothing. We Shall See), Plate 69 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Disarate Furioso (Furious Folly)

Disarate Furioso (Furious Folly)

Francisco José de Goya

Disparate de toritos, lluvia de toros (Folly of young bulls, rain of bulls)

Disparate de toritos, lluvia de toros (Folly of young bulls, rain of bulls)

Francisco José de Goya

Caridad de una muger (A woman's charity), Plate 49 of

Caridad de una muger (A woman’s charity), Plate 49 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Gracias á la almorta (Thanks to the millet), Plate 51 of

Gracias á la almorta (Thanks to the millet), Plate 51 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Esta no lo es menos (This is no less curious), Plate 67 of

Esta no lo es menos (This is no less curious), Plate 67 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

(untitled)

(untitled)

Francisco José de Goya

(untitled)

(untitled)

Francisco José de Goya

Ya van desplumados (They are leaving, plucked), plate 20 of

Ya van desplumados (They are leaving, plucked), plate 20 of “Los Caprichos”

Francisco José de Goya

Porque esconderlos? (Why hide it?), plate 30 of

Porque esconderlos? (Why hide it?), plate 30 of “Los Caprichos”

Francisco José de Goya

Sopla (Blows), plate 69 of

Sopla (Blows), plate 69 of “Los Caprichos”

Francisco José de Goya

Tampoco (Nor do these), Plate 10 of

Tampoco (Nor do these), Plate 10 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Para eso habeis nacido (This is what you were born for), Plate 12 of

Para eso habeis nacido (This is what you were born for), Plate 12 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Populacho (Rabble), Plate 28 of

Populacho (Rabble), Plate 28 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Esto es peor (This is worse), Plate 37 of

Esto es peor (This is worse), Plate 37 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Grande Hazaña! Con Muertos! (Great deeds - against the dead!), Plate 39 of

Grande Hazaña! Con Muertos! (Great deeds – against the dead!), Plate 39 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Espiró sin remedio (There was nothing to be done and he died), Plate 53 of

Espiró sin remedio (There was nothing to be done and he died), Plate 53 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Lo peor es pedir (The worst is to beg), Plate 55 of

Lo peor es pedir (The worst is to beg), Plate 55 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Contra el bien general (Against the common good), plate 71 from the series Los Desastres de la Guerra (The Disasters of War)

Contra el bien general (Against the common good), plate 71 from the series Los Desastres de la Guerra (The Disasters of War)

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Las rinde el sueño (They are overcome with sleep), plate 34 of

Las rinde el sueño (They are overcome with sleep), plate 34 of “Los Caprichos”

Francisco José de Goya

Le descañona (She is plucking him), plate 35 of

Le descañona (She is plucking him), plate 35 of “Los Caprichos”

Francisco José de Goya

Correccion (Correction), plate 46 of

Correccion (Correction), plate 46 of “Los Caprichos”

Francisco José de Goya

Miren que grabes! (Look, how serious they are!), plate 63 of

Miren que grabes! (Look, how serious they are!), plate 63 of “Los Caprichos”

Francisco José de Goya

Allá vá eso (There they go), plate 66 of

Allá vá eso (There they go), plate 66 of “Los Caprichos”

Francisco José de Goya

Se aprovechan (They avail themselves), Plate #16 to The Disasters of War., 1863

Se aprovechan (They avail themselves), Plate #16 to The Disasters of War., 1863

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Fuerte cosa es! (This is too much!), Plate 31 of

Fuerte cosa es! (This is too much!), Plate 31 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Cruel lástima! (A cruel shame!), Plate 48 of

Cruel lástima! (A cruel shame!), Plate 48 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Qué alboroto es este? (What is this hubbub?), Plate 65 of

Qué alboroto es este? (What is this hubbub?), Plate 65 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Disparate Femenino (Feminine folly)

Disparate Femenino (Feminine folly)

Francisco José de Goya

Disparate Claro (Clear folly)

Disparate Claro (Clear folly)

Francisco José de Goya

Madre infeliz! (Unhappy mother!), Plate 50 of

Madre infeliz! (Unhappy mother!), Plate 50 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Extraña devocion! (Strange devotion!), Plate 66 of

Extraña devocion! (Strange devotion!), Plate 66 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Que locura! (What madness!), Plate 68 of

Que locura! (What madness!), Plate 68 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Fiero Monsturo! (Fierce monsters), Plate 81 to

Fiero Monsturo! (Fierce monsters), Plate 81 to “The Disasters of War”

Francisco José de Goya

La Lealtad (Loyalty)

La Lealtad (Loyalty)

Francisco José de Goya

Que viene el Coco (Here comes the Bogey man), plate 3 of

Que viene el Coco (Here comes the Bogey man), plate 3 of “Los Caprichos”

Francisco José de Goya

Que sacrificio! (What a sacrifice!), plate 14 of

Que sacrificio! (What a sacrifice!), plate 14 of “Los Caprichos”

Francisco José de Goya

Brabisimo! (Bravissimo!), plate 38 of

Brabisimo! (Bravissimo!), plate 38 of “Los Caprichos”

Francisco José de Goya

Y aun no se van! (And they still will not go!), plate 59 of

Y aun no se van! (And they still will not go!), plate 59 of “Los Caprichos”

Francisco José de Goya

Nadie nos ha visto (No one saw us), plate 79 of

Nadie nos ha visto (No one saw us), plate 79 of “Los Caprichos”

Francisco José de Goya

Con razon o sin ella (With or without reason), Plate 2 of

Con razon o sin ella (With or without reason), Plate 2 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Las mugeres dan valor (The women give courage), Plate 4 of

Las mugeres dan valor (The women give courage), Plate 4 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Curarlos, y á otra (Get them well, and on to the next), Plate 20 of

Curarlos, y á otra (Get them well, and on to the next), Plate 20 of “The Disasters of War”, 1863

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Y esto tambien (and this too), Plate 45 of

Y esto tambien (and this too), Plate 45 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Así sucedío (This is how it happened), Plate 47 of

Así sucedío (This is how it happened), Plate 47 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Muertos recogidos (A collection of dead men), Plate 63 of

Muertos recogidos (A collection of dead men), Plate 63 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Murío la verdad (Truth has died), Plate 79 of

Murío la verdad (Truth has died), Plate 79 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Disparate alegre (Merry folly)

Disparate alegre (Merry folly)

Francisco José de Goya

Disparate de Carnaval (Carnival folly)

Disparate de Carnaval (Carnival folly)

Francisco José de Goya

Mala noche (Bad night), plate 36 of

Mala noche (Bad night), plate 36 of “Los Caprichos”

Francisco José de Goya

Mucho hay que chupar (There is a lot to suck), plate 45 of

Mucho hay que chupar (There is a lot to suck), plate 45 of “Los Caprichos”

Francisco José de Goya

Devota profession (Devout vows), plate 70 of

Devota profession (Devout vows), plate 70 of “Los Caprichos”

Francisco José de Goya

Amarga Presencia (bitter presence), Plate 13 of

Amarga Presencia (bitter presence), Plate 13 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Tanto y mas (All this and more), Plate 22 of

Tanto y mas (All this and more), Plate 22 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Si sabra mas el discipulo (Can the pupil know more?), plate 37 of

Si sabra mas el discipulo (Can the pupil know more?), plate 37 of “Los Caprichos”

Francisco José de Goya

Se repulen (They pare their own nails), plate 51 of

Se repulen (They pare their own nails), plate 51 of “Los Caprichos”

Francisco José de Goya

Está Um...pues, Como digo..eh! Cuidado! si no!... (Your honor is... Well... As I say... Eh! Be careful!... Otherwise!...), plate 76 of

Está Um…pues, Como digo..eh! Cuidado! si no!… (Your honor is… Well… As I say… Eh! Be careful!… Otherwise!…), plate 76 of “Los Caprichos”

Francisco José de Goya

Y son fieras (And they are like wild beasts), Plate 5 of

Y son fieras (And they are like wild beasts), Plate 5 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Duro es el Paso! (It's a hard step), Plate 14 of

Duro es el Paso! (It’s a hard step), Plate 14 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Será lo mismo (It will be the same), Plate 21 of

Será lo mismo (It will be the same), Plate 21 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

No se puede saber por qué (Nobody knows why), Plate 35 of

No se puede saber por qué (Nobody knows why), Plate 35 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Si resucitará? (Will she live again?), Plate 80 of

Si resucitará? (Will she live again?), Plate 80 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Que se la llevaron! (And so they kidnapped her!), plate 8 of

Que se la llevaron! (And so they kidnapped her!), plate 8 of “Los Caprichos”

Francisco José de Goya

Muchachos al avío (Up and about), plate 11 of

Muchachos al avío (Up and about), plate 11 of “Los Caprichos”

Francisco José de Goya

Ya tienen asiento (They already have a seat), plate 26 of

Ya tienen asiento (They already have a seat), plate 26 of “Los Caprichos”

Francisco José de Goya

La filiacion (The betrothal), plate 57 of

La filiacion (The betrothal), plate 57 of “Los Caprichos”

Francisco José de Goya

Mejor es holgár (Loafing is better), plate 73 of

Mejor es holgár (Loafing is better), plate 73 of “Los Caprichos”

Francisco José de Goya

No grites, tonta (Don't cry, idiot), plate 74 of

No grites, tonta (Don’t cry, idiot), plate 74 of “Los Caprichos”

Francisco José de Goya

Que Valor! (What Courage!), Plate 7 of

Que Valor! (What Courage!), Plate 7 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Escapan entre las llamas (They escape through the flames), Plate 41 of

Escapan entre las llamas (They escape through the flames), Plate 41 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Tambien esto (So is this), Plate 43 of

Tambien esto (So is this), Plate 43 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Sanos y enfermos (The sound and the sick), Plate 57 of

Sanos y enfermos (The sound and the sick), Plate 57 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

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