Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

3 of 4

Alison Saar

(American, born 1956)

Coup de Grâce

View All Works

Object Details

Artist

Alison Saar

Date

2012

Medium

Four-color lithograph Edition 16/16

Dimensions

Image / sheet: 19 1/8 × 25 1/8 inches (48.6 × 63.8 cm)
Frame: 26 3/8 × 31 3/8 × 1 1/2 inches (67 × 79.7 × 3.8 cm)

Credit Line

Acquired through the generosity of Truman W. Eustis III, Class of 1951

Object
Number

2015.004

The daughter of artist Betye Saar, Alison Saar’s work examines many of the same social and politic(…)

The daughter of artist Betye Saar, Alison Saar’s work examines many of the same social and political issues. Her use of a wide range of media can be traced to her early training with her father, an art conservator, from whom she gained a firsthand experience of a variety of techniques. After attending the Otis College of Art and Design, Saar began exhibiting her work, often deemed controversial for the difficult, often violent, subjects she addresses.In Coup de grâce the seated woman bites the umbilical cord that tethers her to the large ball of yarn, severing a connection that has taken on frightening proportions. The simplicity of the composition and the softly modulated background emphasize the stark brutality of this action, the figure’s eyes rolled upwards as if to ward off the pain. (“Imprint/ In Print,” curated by Nancy E. Green with assistance from Christian Waibel ’17 and presented at the Johnson Museum August 8 – December 20, 2015)

Discover More

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition