Search

A concrete cantilevered building against blue sky and green landscaping

A large green wall with oil paintings in gold frames above a tiled floor

A museum interior space with paintings and concrete walls and stairs

A concrete-walled lobby with windows, a tiled floor, and a circular desk

The top of a concrete spiral staircase with a wooden railing

A tall tree is the focal point of a garden in between two concrete buildings

About arrow_back

Admission for everyone is always free! Check here for current hours and more.

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

A tall tree is the focal point of a garden in between two concrete buildings

2 of 2

Jean Hippolyte Marchand

(French, 1883–1940)

For “Les Labours”

View All Works

Object Details

Artist

Jean Hippolyte Marchand

Date

ca. 1920

Medium

Watercolor and pencil

Dimensions

9 3/8 × 12 3/16 inches (23.8 × 31 cm)

Credit Line

Acquired through the Ernest I. White, Class of 1893, Endowment Fund, the Peter B. Ruppe Memorial Purchase Fund, and through the generosity of Margaret and Frank Robinson

Object
Number

2006.052.002

This work shows the wide variation of brushwork and feeling that can be achieved with watercolor. Ma(…)

This work shows the wide variation of brushwork and feeling that can be achieved with watercolor. Marchand was an artist associated with the Bloomsbury group in London and was included in both of the Postimpressionist exhibitions organized by Roger Fry at the Grafton Galleries in 1910 and 1912. Like the artist Stanley Roy Badmin, he used pencil lines, but they are merely suggestions for the swath of a much larger brush across the paper, with its watery trail of washes giving the scene an immediacy and vibrancy. (“Drawing the Line: 150 Years of European Artists on Paper,” curated by Nancy E. Green and presented at the Johnson Museum January 20–June 10, 2018)

Discover More

Create an account

Please take a moment to fill your information to create your account.

Reset Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Save Artwork

Save the artwork in any of your exhibitions or create a new one.

You have not made any exhibitions.

Create New Exhibition

Create New Exhibition