Search Result
Discover Our
Collection
The Unworthy Guest expelled from the House of the King, from a Collection of Parables
Crispijn van de Passe the Elder, after Maarten de Vos
The Parable of the Bad Rich Man, from a Collection of Parables
Crispijn van de Passe the Elder, after Maarten de Vos
The Parable of the Grain thrown on Different Soils, from a Collection of Parables
Crispijn van de Passe the Elder
The Parable of the Unforgiving Servant, from a Collection of Parables
Crispijn van de Passe the Elder
The Parable of the Workers in the Vineyard, from a Collection of Parables
Crispijn van de Passe the Elder
Christ on the Cross between the Thieves, from Twenty-six Scenes from the Passion of Christ
Urs Graf the Elder
Design for a Ceiling (Entwurff eines Plaffond), plate 16 from Decker’s Architectura Civilis
Johann Daniel Herz the younger, after Paul Decker the Elder
Portrait of Elizabeth Charlotte of Bavaria, Duchess of Orleans
Nicolas Bazin, after Jean-Baptiste Martin the Elder
Ship with Three Masts Armed with Four Side Guns Sailing to the Starboard (with the Fall of Icarus)
Frans Huys, Pieter Bruegel the elder
The Siege of Ypres, plate 118 from Der weiss Kunig, The Emperor Maximilian I and His Ancestors
Hans Burgkmair the elder
Memorial Commemorating the victories of Leopold I, Joseph I, and Charles VI of Austria, and the Treaties of Rastatt and Baden, plate 56 from Decker’s Architectura Civilis
after Paul Decker the Elder
An unidentifed scene from Der weiss Kunig, The Emperor Maximilian I and His Ancestors
Hans Burgkmair the elder
Engravings
Jacques Callot, Stefano della Bella, Sébastien Le Clerc, the elder, Claude Lorrain, Claude Mellan, Belman, Laeguel, Pierre Giffart, Pierre Landry, Perelle, Gérard Edelinck
Château with parterre and figures strolling the grounds (Plate 1 from a series of landscapes)
Sébastien Le Clerc, the elder
Crossing the Rhine in the Presence of the Enemy, 1672), Plate 4 from the series “The Hall of Mirrors at Versailles”
Dupuis the Elder, Johann Martin Preisler, after Jean-Baptiste Massé, after Charles Le Brun
Madre infeliz! (Unhappy mother!), Plate 50 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Extraña devocion! (Strange devotion!), Plate 66 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Que locura! (What madness!), Plate 68 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Bien te se está (It serves you right), Plate 6 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Siempre Sucede (This always happens), Plate 8 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Aun podrán servir (They’ll still be useful), Plate 24 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Todo va revuelto (Everything is topsy-turvy), Plate 42 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
No hay que dar voces (It is no use shouting), Plate 58 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Esto és lo peor (This is the absolute worst), Plate 74 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
El buitre carnívoro (The carniverous vulture), Plate 76 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
No quieran (They do not want to), Plate 9 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Tambies estos (So will these), Plate 25 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
No se puede mirar (One cannot look at this), Plate 26 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Algun partido saca (There is something to be gained), Plate 40 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Al cementerio (To the cemetery), Plate 56 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Gatesca pantomima (Feline pantomime), Plate 73 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Qué hai que hacer mas? (What more can one do?), Plate 33 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Por una nabaja (On account of a knife), Plate 34 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Y son fieras (And they are like wild beasts), Plate 5 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Si resucitará? (Will she live again?), Plate 80 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Duro es el Paso! (It’s a hard step), Plate 14 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Será lo mismo (It will be the same), Plate 21 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
No se puede saber por qué (Nobody knows why), Plate 35 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando
Farándula de charlantenes (Troupe of Charlatans), Plate 75 of “The Disasters of War”
Francisco José de Goya, Real Academia de Bellas Artes de San Fernando