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The Johnson Museum holds more than 40,000 works in its collection from around the world.

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About arrow_back

Admission for everyone is always free! Check here for current hours and more.

Visit The Museum Staff Publications

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

Search All Africa Asia and Pacific Australia, New Guinea, and New Zealand Europe North America South America New to the Collection

Museum gallery with art from China

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

On View Upcoming Past

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

Upcoming Past

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

Students Faculty and Instructors Kids Teachers Initiatives

The top of a concrete spiral staircase with a wooden railing

Support arrow_back

Help the Johnson Museum continue its legacy by making a gift today.

Membership Annual Fund Support Our Campaign Donating Artwork Planned Giving Museum Advisory Council

A tall tree is the focal point of a garden in between two concrete buildings

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2000 BC
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Showing 798 Works

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Still Life with Thistle

Still Life with Thistle

Otto Marseus van Schrieck

Batik tulis (sarita)

Batik tulis (sarita)

Indonesia, Sulawesi, Toraja peoples

Open and Closed I

Open and Closed I

Larry Zox

Blanket [

Blanket [“If there had been a pool it would have reflected us”]

Jim Hodges

Spring Flight

Spring Flight

Diane Itter

The Crowning Needlepoint 5

The Crowning Needlepoint 5

Judy Chicago, LoBiondo Family

Needlepoint work sample

Needlepoint work sample

Judy Chicago, LoBiondo Family

Birth Goddess

Birth Goddess

Judy Chicago, Candis Duncan Pomykala

Potato hook belt

Potato hook belt

Nilda Callañaupa

Creation of the World Quilt 1, from: The Birth Project

Creation of the World Quilt 1, from: The Birth Project

Judy Chicago, Sally Babson

Ch'ullo [Chinchero hat of traditional design]

Ch’ullo [Chinchero hat of traditional design]

Nilda Callañaupa

Quilt

Quilt

Dorothy Jones Shiner

Splotchy

Splotchy

Alexander Calder

Embroidery work sample

Embroidery work sample

Judy Chicago, Candis Duncan Pomykala

Rug

Rug

Anni Albers

Woman's ceremonial beaded skirt-cloth with aso (dog-dragon) zoomorphic designs

Woman’s ceremonial beaded skirt-cloth with aso (dog-dragon) zoomorphic designs

Borneo, Maloh or Taman Dayak

Quilt with star pattern

Quilt with star pattern

Sarah E. Terry

A coral-colored imperial surcoat for a woman

A coral-colored imperial surcoat for a woman

China

A magenta color tapestry

A magenta color tapestry

Unidentified artist, Manchu Imperial Textile Workshop

A prince's Chao-fu skirt

A prince’s Chao-fu skirt

China

Folk-style runner with

Folk-style runner with “Wedding Procession” theme

China, Szechuan province

Folk-style bed hanging with

Folk-style bed hanging with “Men in Boats” theme

China, Szechuan province

Zebra

Zebra

after Alexander Calder

Woman's ceremonial body-wrapper (lau pahudu)

Woman’s ceremonial body-wrapper (lau pahudu)

Indonesia, Sumba

Lombrizi

Lombrizi

after Alexander Calder

Balloons

Balloons

after Alexander Calder

The Papaya, auspicious leaf

The Papaya, auspicious leaf

Nithakhong (Tiao David) Somsanith

Red, black, white and brown rug

Red, black, white and brown rug

Navajo

White, gray, black and gold rug

White, gray, black and gold rug

Susie Clah

Pua kumbu ceremonial hanging with mythical tiger pattern

Pua kumbu ceremonial hanging with mythical tiger pattern

Malaysia, Sarawak, Iban Dayak communities

A tapestry of a Ch'i-fu collar and sleeves

A tapestry of a Ch’i-fu collar and sleeves

China

Folk-style bed hanging with design of five roundels

Folk-style bed hanging with design of five roundels

China, Szechuan province

A brown Ch'ang-fu (ordinary coat)

A brown Ch’ang-fu (ordinary coat)

China

Yei (Corn Dance) Rug

Yei (Corn Dance) Rug

Navajo

Balloons

Balloons

after Alexander Calder

Moon

Moon

after Alexander Calder

Doll

Doll

after Alexander Calder

Textile for hanging (phaa lai) with serpentine phi nyak design

Textile for hanging (phaa lai) with serpentine phi nyak design

Laos, Tai Daeng or Tai Lue peoples

Woman's ceremonial tubular skirt-cloth

Woman’s ceremonial tubular skirt-cloth

Li People (Hainan Island, China)

A roundel with a phoenix and a rose

A roundel with a phoenix and a rose

China

A tapestry with

A tapestry with “100 Antiques” theme

China

Brown and white rug

Brown and white rug

Navajo

Number Nine

Number Nine

after Alexander Calder

Sun

Sun

after Alexander Calder

Lombrizi

Lombrizi

after Alexander Calder

Turquoise

Turquoise

after Alexander Calder

White rug with black and brown squares

White rug with black and brown squares

Navajo

An insignia for a third-rank civil official

An insignia for a third-rank civil official

China

Bedspread with stylized peony design

Bedspread with stylized peony design

China, Szechuan province

A bed hanging with

A bed hanging with “100 Antiques” motif

China

Folk-style bed hanging with design of three circles and motif of two vases

Folk-style bed hanging with design of three circles and motif of two vases

China, Szechuan province

Circus

Circus

after Alexander Calder

Moon

Moon

after Alexander Calder

Star

Star

after Alexander Calder

Tan rug with brown, blue, black and white

Tan rug with brown, blue, black and white

Navajo

Striped saddle blanket

Striped saddle blanket

Navajo

Stop Separating Families, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Stop Separating Families, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Close the Camps, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Close the Camps, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Be a Peacemaker, Not a Heartbreaker, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Be a Peacemaker, Not a Heartbreaker, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Stand with Hong Kong, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Stand with Hong Kong, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Never the Less, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Never the Less, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Double wedding ring quilt

Double wedding ring quilt

Mrs. George Monronde (?)

Nuestra Sangre es Roja, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Nuestra Sangre es Roja, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Circus

Circus

after Alexander Calder

Dykes: We Recruit! from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Dykes: We Recruit! from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Seeking Asylum is a Human Right, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Seeking Asylum is a Human Right, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Boys Cry, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Boys Cry, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Ancestral Structures, Seedkeeper #1

Ancestral Structures, Seedkeeper #1

Jennifer Tee

Pyramids

Pyramids

after Alexander Calder

The Impermanence of Life

The Impermanence of Life

Nithakhong (Tiao David) Somsanith

Altar hanging (tok wi)

Altar hanging (tok wi)

Indonesia, Java, Cirebon or Indramaya

Woods

Woods

Anna Betbeze

Abolish ICE, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Abolish ICE, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

No Wall, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

No Wall, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Never-The-Less Persist, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Never-The-Less Persist, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Kit Chagos! from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Kit Chagos! from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Believe Women, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Believe Women, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Love is Love, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Love is Love, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

If Each Person is Connected, the World Will Be Beautiful, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

If Each Person is Connected, the World Will Be Beautiful, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Adopt, Don't Shop, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Adopt, Don’t Shop, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Pyramid

Pyramid

after Alexander Calder

An insignia for a fourth-rank civil official

An insignia for a fourth-rank civil official

China

Folk-style runner

Folk-style runner

China, Szechuan province

Gay to Stay, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Gay to Stay, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Doll

Doll

after Alexander Calder

Turquoise

Turquoise

after Alexander Calder

Fight Ignorance, Not Immigrants, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Fight Ignorance, Not Immigrants, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Profit from Pain is Inhumane, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Profit from Pain is Inhumane, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Here to Stay, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Here to Stay, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Leave My Curry Alone! from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Leave My Curry Alone! from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

White House Equals Trumpany Hall, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

White House Equals Trumpany Hall, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

We Love Peaceful People, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

We Love Peaceful People, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Antipodes (Study in black)

Antipodes (Study in black)

Marie Watt

Siapo (tapa) cloth

Siapo (tapa) cloth

Samoa

They Tried to Bury Us. They Didn't Know We Were Seeds, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

They Tried to Bury Us. They Didn’t Know We Were Seeds, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Das Kleid/The Dress

Das Kleid/The Dress

Elisabeth Masé

Sanctuary, Not Deportation, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Sanctuary, Not Deportation, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

We are All Immigrants and Refugees, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

We are All Immigrants and Refugees, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Care, Not Cages, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Care, Not Cages, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

Save Polar Ice, from the artist's Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Save Polar Ice, from the artist’s Protest Banner Lending Library (2016–ongoing), created by an anonymous workshop participant during the Johnson Museum exhibition, how the light gets in (September 7–December 8, 2019)

Aram Han Sifuentes

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