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John Grogan, a patriot and his dog, Ireland, from the portfolio Alen MacWeeney
Alen Brazil MacWeeney
(title page) Plate 1 of Les Misères et Les Malheurs de la Guerre (The Large Miseries of War)
Jacques Callot
Femme affranchie, à quatorze heures, chante midi (Emancipated women, who has lost her bearings [who cries midday when it is two o’clock])
Georges Rouault
Self-portrait of Watteau with his friend Julienne in a wooded landscape
Nicolas Henri Tardieu, after Jean-Antoine Watteau
Celui qui croit en moi, fût-il mort, vivra (He that believeth in me, though he were dead, yet shall he live)
Georges Rouault
Nous devons mourir, nous et tout ce qui est nôtre (We are doomed to death, we and all that is ours)
Georges Rouault
La mort l’a pris comme il sortait du lit d’orties (Death took him as he rose from his bed of nettles)
Georges Rouault
“Dipositif au sol” (“Earth”) from Tables Rases (a suite of 10 color lithographs- album VIII of the series Phenomenes)
Jean Dubuffet
Opérette (Operetta), from the portfolio Décors de théâtre (Stage Sets), 1926–30 (published 1930)
Alexandra Exter
C’est par ses meurtrissures que nous sommes guéris (And with his stripes we are healed)
Georges Rouault