Professor emeritus in Cornell's Department of Art, Norman Daly worked on his fictitious civilization for almost forty years.

This is an exhibition of small paintings, initiation cards that depict specific deities and symbols associated with the rituals of Vajrayana Buddhism.

Reversal Room completely surrounds viewers with slowly rotating, synchronized tableaux, giving viewers the impression that they are themselves situated in the middle of the events.

This collection of more than thirty etchings in beautiful lifetime impressions offers the rare opportunity to see Rembrandt at his best.

The Point of View anthology reaches back to video art’s democratic potential, suggesting that video art can be produced for a broad audience.

The Ginzberg collection was formed around the principle that there is much to be learned and much beauty to be found in the everyday, nonrepresentational side of African art.

Organized by the Boston University Art Gallery, this exhibition examines camera clubs and the pictorial photography tradition in California.

Photographs investigating teenage girls’ relationship to their bodies and the way the female body has become an expression of the conflicting messages to girls in contemporary culture.

Once praised as “The Foremost Women Photographers in America,” their prints were included in many of the significant early 20th-century exhibitions and publications.

This exhibition, curated by the History of Art Majors' Society, is a collection of photographs by women from a wide variety of periods and places that takes the idea of transformation as its unifying theme.

This exhibition presents the wonderfully intricate etchings of the two most prolific chroniclers of life in the first half of the European 17th century.

Contemporary Taiwanese art as seen through the lens of cultural identity and political memory, focusing on the period since 1987, when martial law was lifted.

Highlights of gifts given by Diann Mann, Cornell Class of 1966, and Thomas Mann, Cornell Class of 1964.

Contemporary Taiwanese art as seen through the lens of cultural identity and political memory, featuring work by new media artists.

A superb collection of ceramics dating from the Neolithic period to the 14th century, highlighting the technical and aesthetic sophistication of southern Chinese high-fired stoneware vessels with green glazes.

A relationship we take for granted—the sitter and the chair in American studio photography—curated by a group of interior design students from the Department of Design and Environmental Analysis.

This exhibition highlights the important contribution to the Johnson Museum made by Paul Ehrenfest, Cornell Class of 1932, who passed away in February 2004.

The Johnson Museum's collection of Korean art is particularly strong in ceramics, and also includes paintings and sculptural works.

Sponsored by the Cornell Council for the Arts (CCA), this juried exhibition features work by recipients of CCA grants between 1999 and 2003.

Asta Gröting's first museum show in the United States.

An important force in the Arts and Crafts movement in America, Byrdcliffe's rich artistic and social legacy is seen in a variety of forms.

Highlighting works that reflect the British style on American Arts and Crafts.

This exhibition presents a moving examination of the haunting cemetery sites of World War I captured on film by photographer Jane Alden Stevens.

A survey of the artist's work in sculpture and printmaking from the last ten years.